New and Unpublished Poems
Call Me When You Get There
No need to tell me what kind of luggage
you’re carrying or how far you plan to go, or even
how long this particular journey
will take. Whether you cross two borders or twelve
is of no consequence to me, at all. Don't trouble me
any further,
on that account.
Spare me the details of obstacles
and missed connections, of all of the blind spots
you encounter, in the road. Likewise, don’t broadcast reports
of the many flies entering
your tent or how love has
flickered so elegantly, so unexpectedly,
in your path.
When you walk into a dark field in the middle of the night,
keep those thoughts to yourself. They are yours and yours alone.
You will sell your soul along the way.
No matter. You’ll buy it back, and it will fit better,
the second time around.
If it’s cloudy all day where you are, it really makes no
difference to me, at all. Just call me
when you get there,
before the willows bloom, before your
temperance blooms.
(Summer 2014)
on never reaching bolzano
I am trying to capture
what is easily forgotten
what I have already forgotten
what demands forgetting
and what would have preferred
remembering.
This dance is slow, slower than usual,
and the snow is no longer snow,
and what we all took for granted, well,
we all know what happened to that.
But if this sounds like an elegy, it shouldn’t.
Let’s get in the car and drive.
Let’s climb up the mountain and remain motionless
with fear
above the tree line.
Let’s lose sight of the main roadway
and feel
lost, utterly lost.
Let’s meander back, by all means.
Let’s visit your aunt’s tomb in Vienna
and come face to face
with a life
that no one understands and an illness
that never should have happened
and the resulting doomed love
that none foresaw,
and derive no wisdom
from any of it.
Let’s give it up altogether and take our inheritance
and spend it in spades before we realize
that there was never any inheritance to spend
at all
that way,
we will wind up exactly,
where we started, and remember only,
what could never be foretold.
(2021)
Scheherazade
come, a little closer
you there
this is no place for rules
i can open the bottle, if you bring
it to me . . . i can read the ancient script,
if you’ll show it to me
let's explore. let me see
the world through your eyes, who you
are
are you the night runner
are you the satellite queen
or are you just the dime-store maiden
in silver-spun, blue jeans . . .
this much is true
all bow
in your direction. give me your hand
as i pull my body along the wall,
your perfection,
as i ease my way, out, out.
this is no place for rules,
this is no place
the alarms will ring
all night
every night
1,001
unbroken nights
whatever you want to be
be it for me
bring me the bottle . . .
whatever you've got
you are the face looking back at me
from a distance of a thousand years.
(2020)
UntitleD
I woke up missing you, feeling the loss of
you, you being lost to me, you are lost to me,
you are divine, a divine being, out of reach to me,
an iridescent canyon. I felt ready,
I felt that you were ready.
No one was ready.
The place had a Japanese feel. There was glass, sliding glass,
and mats on the floor, but the windows were tall
and narrow, rather than horizontal. The hallways, even more so.
We squeezed through, causing the hallway
to contract, even more, until we reached the steps,
and sped on our way.
What were we getting away from?
Once on the boat, the landscape shifts before us, flattens. The
view is monumental. We are soaring. Life here
is luminous. The waters part. A feeling of vertigo. We let go
all personal belongings,
and return home.
The woman on the television is talking about
the starfish nebula. Death is everywhere. Planes fly
too close, too close. A sea of people stumbles together, drinks,
smiles, argues, and frowns, then ricochets away
into dark corners.
Gravitational forces brought rocks to our doorsteps
once. And we waited, for the earth to melt, then set.
We can wait again.
(2020)